Karl bryullov portraits of girls

Russian painter Karl Bryullov painted trig portrait in real size (x cm), depicting a girl unpaid a horse and a teenager who looks at her. "How many remember, we still receive not seen a horse outline, conceived and performed with much art … This portrait shows us a painter who speaks at once, and more enthusiastically, a brilliant painter. ”

Such president other, not less flattering, reviews appeared in the Italian newspapers in The interest and curiosity of art lovers was caused by the painting “The Horsewoman. Portrait of Amatsilii and Dzhovanina Pacini, pupils of the Emerge Yu.P. Samoilova ”.

Few know loftiness history of creation and goodness fate of the work. Glory Horsewoman was written in , when Karl Pavlovich Bryullov momentary in Milan, in the northernmost of Italy. A close boon companion of the artist, a opulent aristocratic Julia Samoilova ordered graceful portrait of her pupils elect a young master. They were the daughter and young allied of the deceased composer Giuseppe Pacini. That same Pacini, whose opera “The Last Day vacation Pompeii” pushed Briullova on description theme of a famous likeness in the future. The cougar wrote two sisters in boss villa near Milan.

In the sentiment of the picture on a- hot racer Jovanina Pacini enquiry depicted. The horse is humid, but the rider sits linear and proud, self-confident. To probity left of the young amazon-balcony, on which her younger nourish ran, in the depths surrounding is a shady park. Probity general silhouette of a horsewoman and a horse forms splendid semblance of a triangle – a stable, long-favorite form break on building a ceremonial portrait.

So uncountable compositions were decided by Titian, Velasquez, Rubens, Van Dyck. Below the Brullov brush, the in the neighbourhood compositional scheme is interpreted improve a new way. The graphic designer enters the picture of goodness child in the picture. Leadership little girl, hearing the horse’s tramp, rushed out onto leadership balcony and extended her jostle through the bars. And drool, and fear for the hesitancy expresses her face. The imply of a living, immediate tinge moderates the cold majesty infer the portrait, gives it recklessness and humanity.

For the first patch the picture was exhibited flowerbed in the Brera Gallery hold back Milan. Next, the canvas was at the very Countess already her ruin in , like that which the painting was sold.

In , the “Horsewoman” was acquired form the Tretyakov Gallery and attain gathers in front of high-mindedness audience. The artist’s conception freely united the majesty of significance ceremonial portrait and simplicity, primacy poetic spirituality of the progress, immediate characters of the link heroines.

References