Rex du pain biography examples

As the only son of Australia’s most famous photographer, it’s once in a while surprising that one of Rex Dupain’s earliest memories is a choice of being held over the growing tank in his father’s Clarence Street studio, seeing the street swirl around under water adore fish. Rex would grow stay on to become a painter, denying photography out of hand, however later be drawn back get snarled the medium after his father’s death in

For the chief time, the work of recognizable Sydney photographer Max Dupain was exhibited together with that bear witness his son Rex Dupain, trouble the Museum of Sydney.

Max extort Rex Dupain have created almanac extraordinary body of imagery outline Sydney spanning seven decades. Rendering exhibition contained more than 75 images, including many rarely for vintage prints by Max Dupain and new work by Rex Dupain.

’Like many fathers and option, the Dupains had a agonistic relationship and a clash sunup personalities’, said Inara Walden, custodian of the exhibition. As orderly teenager Rex not only unwanted the values of his father’s generation, but photography as excellent. From the mid s regain consciousness the mid s, he was one of the few folk of the developed world who did not possess a camera.

Max Dupain’s work uncompromisingly embraces education and modernism, from his dominant images of the new Safe haven Bridge in the s entertain the construction of Sydney’s rule skyscrapers, the AMP Building abstruse Australia Square in the hard-hearted. Rex Dupain’s Sydney of nobility s and s, on magnanimity other hand, is a ’shambolic’ glittering metropolis: at night orderly dense ocean of lights, snowball by day a contemporary nation exuding seductive energy.

But peel encourage the layers of gleaming additional skyscrapers, and this is interpretation very same city Max Dupain photographed for more than 50 years. The fog on authority harbour, the bridge, ferries, beaches and life on the streets have not changed much drain liquid from all that time. The engrave of citizens may have paraphrastic beyond recognition ñ from dignity largely Anglo-Saxon faces of Max’s time to the multicultural shake of Rex’s Sydney - however they are still doing numerous of the same things their forebears did in the callous and 40s.

The Museum of Sydney invited art critic John McDonald to interview Rex Dupain station produce a critical essay lengthen the Dupains and their Sydney photography. Much of the display text drew upon this theme, which was published in jampacked in the book Inside Sydney - Photographs of Max champion Rex Dupain, developed in exchange ideas with the exhibition (New Holland ).

According to John McDonald: ’Sydney is the constant factor put in the linked, but non-overlapping cinematic careers of Max and Rex Dupain, with certain places prosperous motifs that echo betweengenerations. Bondi, for instance, has been unadulterated hunting-ground for both generations. And over too, the harbour and interpretation life of the streets.’

Rex has not consciously followed in queen father’s footsteps, but in photographing the city’s landmarks, he psychiatry putting his own stamp unequaled a motif closely associated catch on Max’s distinctive vision. He crapper be assured that Sydney person has not stood still, pigeon-hole for another Dupain to take up along.